Do I have the same if I have these matrices? Like this album came out 47 years ago. The fact you are still alive after remembering using the money you earned way back then to pay for this album, money you seem to regret spending, what $4 in 1972?

• Exile On Main Street Barre Vermont

Holy shit i hope i live another 50 years just so i can talk shit about justin bieber or NSync. Id say no offense but your post is so insulting it literally makes life depressing as shit to me. And no everybody im not trolling this dude, read it and tell me he doesnt represent an existential nightmare of the common american who worries they lived a meaningless life of 70+ years with nothing to show while so many out there will die just because they were born in africa or something.

Am i the only one seeing this. Shame on you Sir!

It’s a bit overrated, to be honest. Compared to Let it Bleed and Beggars Banquet, which I think are more of a piece, I don’t see it’s as thematic as the other two.

I’m not saying it’s not good. It doesn’t contain as many outstanding songs as the previous two records. I think the playing’s quite good. It’s got a raw quality, but I don’t think all around it’s as good. – Mick JaggerEvery time I (choose my favorite Stones album), I keep thinking about the ones I’m leaving out. It’s like babies. But if I’ve got to pick one I’ll say – and you can take it with a large dose of salt – Exile.

Exile On Main Street Barre Vermont

Because of its amazing spirit, the incredible amount of enthusiasm and screw-you-ing, You can throw us out but you can’t get rid of us. – Keith RichardsNow seen as a masterpiece, Exile on Main Street has been getting mixed reviews for most of its life, and not just from its creators. Lester Bangs wrote a review calling it “at once the worst studio album the Stones have ever made, and the most maddeningly inconsistent and strangely depressing release of their career”; later, he wrote, “I practically gave myself an ulcer and hemorrhoids, too, trying to find some way to like it.

Finally I just gave up, wrote a review that was almost a total pan, and tried to forget about the whole thing. A couple weeks later, I went back to California, got a copy just to see if it might’ve gotten better, and it knocked me out of my chair. Now I think it’s possibly the best Stones album ever.”Now the critics of yesteryear who trashed Exile have turned into critics calling the record overrated. But that’s a hard criticism to support. The record shows the Stones at their bravest and least calculated, playing blues, gospel, country, boogie, good old rock ‘n’ roll, even a couple of covers, as if the music exuded from deep inside their selves. These multiple genres weren’t accoutrements to dress up in as the mood struck, but were part of the sweat and grime that hung in the air and coated the basement walls at Nellcote as the Stones recorded there.And what songs! Torn and frayed, tumbling and loving, they rose and fell from the album’s grooves, ready to knock or sweep the listener off his feet.

Exile on Main Street isn’t a Mick record or a Keith record – it’s a Stones record, and one of the greatest albums of the 20th century.Are there any number of covers of the album’s songs? Heh heh heh, you know there are. Do they represent the Stones? The artist covering the Stones? The genre the artist is covering the Stones in? Well, see and hear for yourselfOld 97’s – Rocks Off (The Rolling Stones cover). Exile on Main Street kicks off with “Rocks Off,” and while it didn’t have the impact of the leadoff track of their last record (“Brown Sugar” off Sticky Fingers), it gave every indication of what was to follow in its wake.

Not just on Exile, either – the whole album has been embraced by the alt-country movement, whose covers are numerous and tend to be very faithful to the source. The Old 97’s demonstrate that faithfulness in their cover; we’ll meet more who do a little later.Green Day – Rip This Joint (The Rolling Stones cover). “Shake Your Hips” sounds like it’s as old as “Stop Breaking Down,” the other cover on Exile, but it was only written in 1965, a year after the Stones had covered Slim Harpo’s “I’m a King Bee.” Harpo died in 1970 at only 46, and the Stones cover he never got to hear will soon be older than he ever got to be, and equally as influential. Th’ Legendary Shack Shakers bring the song some genuine Southern swamp sound on their 2003 album Cockadoodledon’t.Pussy Galore – Casino Boogie (The Rolling Stones cover). Sonic Youth were rumored to be recording their own version of the White Album; fellow noise-rockers Pussy Galore decided to get in there first with their own full-cassette take of Exile on Main Street. Barely released, their pile of low-fi deconstructionist takes got them a lot of notice in the right circles; even if it’s more piss-take than tribute, we would’ve been remiss not to take a moment to acknowledge their work.

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“Casino Boogie” gets the nod here, and it’s fairly representative of the PG album as a whole.Owen Gray – Tumbling Dice (The Rolling Stones cover). Add “progressive bluegrass” to the genres that Exile on Main Street songs seem perfectly suited for – or at least they seem that way after one listen to Yonder Mountain String Band’s performance of “Torn and Frayed,” which could serve as a theme song for any number of struggling country acts with big dreams. In their hands, the song is more sprightly; it may be a hard life on the road, but Yonder sounds like they’re still going uphill.The Wailing Souls – Sweet Black Angel (The Rolling Stones cover). In 2011, the 11th Annual Americana Music Association Conference/Festival was held in Nashville. One of the highlights: an all-star band (many of them in the El Roostars) going by the name “Exile on 8th Street” for the night, performing Exile on Main Street in its entirety. Dan Baird, Grace Potter, and more made appearances that night, and the whole thing smoked. For just a sample, watch what they do to “Turd on the Run”; for the whole thing, click.Clarence “Gatemouth” Brown – Ventilator Blues (The Rolling Stones cover).

“That song had a big impact on me,” Tom Waits said about “I Just Want to See His Face.” It’s a connection that becomes obvious the moment he says it; the murky, percussion-heavy sound and the falsetto vocals about Jesus would have prominent spots in Waits’ playbook in years to come. The Blind Boys of Alabama knew those gospel stylings well, too – they’d been performing together before Mick and Keith were even born – and their cover, from 2001’s Spirit of the Century, stands tall by the original.The Magpie Salute – Let It Loose (The Rolling Stones cover).

Robert Johnson’s “Stop Breaking Down” was credited to “Traditional” on Exile‘s original release, as the song was believed to have entered the public domain. A few lawsuits later, that was determined not to be the case.

In any event, the original hit by the original artist is powerful enough that a cover need not show a trace of the Stones’ version to make a strong impression. That’s certainly the case with the Black Joe Lewis and the Honeybears’ version, about which NPR said that “Lewis’s shouting, mush-mouthed style over Zach Ernst’s raging guitar recalls a barroom brawl; you can practically smell the whiskey coming off Lewis’ breath throughout.”Allison Crowe – Shine A Light (The Rolling Stones cover). Pussy Galore isn’t the only band to cover Exile in its entirety; Phish, who have a well-known history of full-album covers, performed the album live at their 2009 Halloween show. Consider the fact that the Rolling Stones still haven’t played half a dozen Exile on Main Street songs in concert (find the full list ), with “Soul Survivor” being one of them, and you have to give it up for Phish for showing the whole album can be got live if you want it.Get the original Exile on Main Street from. If you love cover songs, we hope you will consider supporting us there with a small monthly subscription. There are a bunch of exclusive perks only for patrons: playlists, newsletters, downloads, discussions, polls - hell, tell us what song you would like to hear covered and we will make it happen.